What is the difference between pinnacle 15 and avid

I was able to make progress even when this happened, because of the priceless feature of resuming editing after a crash. If Avid Studio, and its successor, Pinnacle Studio v.

In Pinnacle v. In Avid, and Pinnacle v. A G clef could have any of a number of meanings. Again, you need to know the right words "Scorefitter", "Audio Creation tools" to look up the help on this topic -- "Music" doesn't get you there --, though in this case, the icon is shown in the Help.

The lookups shouldn't be necessary. The actual clicking and dragging is easier to use, once you have figured it out. This is an improvement, because it avoids the need to readjust parameters if those of the previous keyframe have been changed. There are some odd, obsolete or off-topic items in the manual's glossary in Avid, and in Pinnacle v.

A non-interlaced image most computer monitors flickers much less than an interlaced image most TVs. The manual needs a complete rewrite. I record voice-over narration while editing, usually one sentence at a time, and I often have to re-record a sentence several times before I get it right.

I like to have controls which speed this process. Oddly enough, Pinnacle Studio v. Step by step:. The recording dialog box stays open. Probably because, as with the Effects Editor, the recording function is an applet in its own dialog box rather than working directly in the timeline. One thing about voice-over recording that is better than in Pinnacle v.

This makes it easier to start speaking just as recording begins. In all versions, recording is delayed, resulting in silence at the start of a clip which must often be deleted in order to avoid unnaturally long gaps between clips.

You must also wait a moment to stop recording after you have finished talking, or else the end of your voice-over will be clipped off. Recording will overwrite and delete the start of the next clip, but you can drag the start of that clip to recover it. This is an important reason to upgrade from Avid -- whose overwrite mode doesn't work for voice-overs. If you insert a new voice-over ahead of others, they all are pushed to later times. You can prevent the later clips from being moved in time by dragging them to a different track before your record ahead of them.

But if you forget to do one of these workarounds, every clip later in your voice-over track will have moved. In both Pinnacle versions and in Avid, voice-overs post promptly. In the supposedly very fast Cyberlink PowerDirector, by way of contrast, even the shortest voice-over takes 10 seconds to post on my Intel i5 machine. This behavior makes for very slow work.

PowerDirector would be a topic for another article if I hadn't given up on it in exasperation. In Avid, I had trouble locating this feature. The same can happen after you upgrade from Pinnacle v.

I opened the effects dialog box and didn't find any way to use keyframes in an audio clip. Another hunt through the help The same operations can also be accomplished with the Audio Mixer panel, which pops out to the right of the timeline header when you click its access button.

The location or appearance of neither the icon nor the button is shown in the Help. After a bit of a search, I found them. The audio mixer button is the one with a little bar graph, above the left end of the timeline. Audio keyframing is the button with the zigzag line, near the right end.

So, audio keyframing is accessed differently from video keyframing, and maybe that's necessary but it is unnecessarily confusing. The mixer uses rotary controls, imitation knobs. Knobs are great to turn with fingers. Sliders are much easier to work with the mouse. But actually, the rotary knobs work like sliders if you mouse across the tops of them.

Even with volume keyframing turned on, the knob which is labeled "adjust volume at the current location in this clip" adjusts volume for the entire clip.

You have to click and release on the audio track to create a keyframe. Then you can drag to increase or decrease the volume. Actually, clicking first is better -- it avoids creating unwanted volume handles, but still, this example shows how minor changes in the interface can lead to annoyance. These need to be robustly documented. Avid Studio, and Pinnacle Studio v. Storage of voice-overs in Pinnacle v. In all versions, resizing or splitting a clip makes the positions of keyframe proportional to the new length of the clip.

It is very unfortunate that this behavior can't be turned off. You have precisely located your keyframes, for example, to pan and zoom a clip, and if you shorten or lengthen a clip, the changes move to different times. I split clips ahead of time, either side of the place where I will be using keyframes, so as to confine the damage. Another workaround is to leave the clip the same length and overlay it on a different track, rather than to split it.

You split clips in Pinnacle Studio v. In Avid Studio and Pinnacle v. They are not the same. In Pinnacle Studio v. I didn't find any way to recombine clips in Avid Studio or Pinnacle Studio v. Maybe there is, but I have yet to find it.

File storage, backups and crash recovery are different in Pinnacle v. It is important to know how to manage these when saving, archiving or deleting files, and to avoid losing a project due to a crash or other problem. Any video application is pushing the envelope of performance on today's home computers, and even more so with high-definition video. Even the fastest home computers do not respond instantly to commands in video software.

Some processing tasks cannot be managed quickly enough to allow editing to continue. You may have to wait through lunch, or overnight. Expect this. Cues explaining that the computer is busy, and how long it will take, can be useful. Video files are huge, and HD video files are bigger. Even with the best data compression, an hour of HD video will be several gigabytes in size. By default, all Pinnacle and Avid versions store your work on the C: drive, which they must share with the operating system or other applications -- also slowing performance.

I place the source files, project files and render files each on a different physical drive, so a drive doesn't have to shuttle back and forth among bits of different files. Each of the drives I use is at least one terabyte in size. The application loads faster from a solid-state drive, and putting render files there speeds rendering somewhat -- though rendering actually works the CPU much harder than storage.

In older versions, its size is zero bytes, and in newer ones only a few bytes. Editing instructions, as well as items generated or processed during editing, are stored in a subfolder of the folder where the project file resides. The subfolder has the same filename as the project. Deleting projects in Pinnacle v. In this way, you can delete older versions of a project once it nears completion, in order to free up disk space.

The placeholder file and subfolder must stay together. You must be careful not to edit or delete either or you will be unable to open your project. The project file in Avid, and Pinnacle v. There is no separate folder with processed clips. The format in Pinnacle v. You also can choose "Save As" and put a project file wherever you want. Choices for other types of files -- titles, menus and voice-overs -- are more limited because Pinnacle creates these files automatically -- there is no "save as" option.

All of the titles, menus and voice-overs from different projects are stored in the same folders, unless you change the folder setting for each project.

The locations for audio and snapshots are under the Import heading in setup, though these also are storage locations! The option on where to store voice-overs is not in Setup at all, it is in the voice-over dialog box. You can move and relink files later, but you must be careful to keep track of them. Warning: While snapshots are named with reference to the project in which they are created, voice-over files in Pinnacle v.

If you reinstall Windows and Pinnacle, then load your documents folder from a backup. Pinnacle wild start the numbering again from zero and overwrite earlier voice-overs! For this reason, it is very important to move the voice-overs from a project to a location where Pinnacle will not overwrite them.

Really, it would be much better to store the files in the same folder with the project. You can manage this manually, though. If you would like to keep all the files which Pinnacle v. Voice-overs are are stored openly as. WAV files, so you can at listen to them in Windows Media Player or another application to help identify them..

Because these are uncompressed audio, they are rather large. Snapshots are stored as JPG,. TIF or Targa, and so they can be edited in another application, if you like. When you save a file in Avid or Pinnacle v. This saved my bacon once when Avid wrote an incomplete and unreadable project file.

Avid doesn't direct you to the backup if the project file won't open -- you have to go to the folder with the backup, and rename it with the appropriate. Both the project file and the backup file get overwritten with each save, and so, in Avid as well as Pinnacle, it is useful to store a project under a new filename every once in a while during editing. However, Avid and Pinnacle v. This saves disk space. The Library imports input files either by copying them -- which is very wasteful of disk space as already mentioned, and puts them all in the same folder -- or by linking to them.

The links are absolute -- they only hold if the input files remain in the same location. You can, however, re-link either within a project or in the Library itself. If you transfer your Pinnacle installation to another computer, you need to keep all of the file locations the same, or you will have to re-link them.

All versions generate render files which they use to display the edited video. These files serve only to smooth playback during editing. They may be deleted to free up disk space once editing is complete. The software reconstructs them if you return to editing later. This takes time, but you will not have lost any of your work.

These applications can only have one project open at a time. It is, however, possible to copy and paste material between projects by opening the source project, copying, then closing that project, opening the destination project, and pasting.

On our comparison page, you can easily assess the tool, terms and conditions, available plans, and more details of Pinnacle Studio 21 and Avid Media Composer.

The scores and ratings provide you with an overall idea how both of these software products perform. In addition, find out if the software can integrate with your current business apps to ensure greater productivity. Our experts made sure to prepare reviews of all popular Video Editing Software products that you can find out there, but among all the ones we reviewed these three deserved our special attention: Adobe Premiere Pro, Final Cut Pro, Filmora.

Here are the details of each:. Almost as essential as features and customer support responsiveness are pricing packages given by Pinnacle Studio 21 and Avid Media Composer. You should expect a flexible pricing package that can be matched with your team size and effortlessly scaled up if your company expands.

You should also give a chance to a free trial or demo of each product to spend at least some time working with it. Page last modified FinancesOnline is available for free for all business professionals interested in an efficient way to find top-notch SaaS solutions. We are able to keep our service free of charge thanks to cooperation with some of the vendors, who are willing to pay us for traffic and sales opportunities provided by our website.

Pinnacle Studio 21 vs. Avid Media Composer. Pinnacle Studio Pricing Model. List of Features. Intuitive user interface Split screen video Multi-track video editing Multi-camera video editing Paint effects Morph transitions video editing Effects from NewBlue Wide angle lens correction 3D title editor.

However, there are clear interface distinctions between the two. Although both share the same underlying code base, their interfaces are rather different, and Pinnacle Studio still holds the upper hand for ease of use.

The most major feature enhancement with Studio HD 15 is its ability to archive projects. This is much more sophisticated than simply saving your editing decisions, as transferring just the file containing these to a new system will leave all the media they refer to behind. The new archive facility gathers every file referenced in the project timeline and puts these with an archive reference file in a single folder you can copy to removable storage.

This can then be imported into any system running Studio HD 15, although it will also need any plug-ins used to be installed and activated. You then transport this archive to a new system running Pinnacle Studio HD 15 and import it. The software will prompt you for a new location to put the media files, which must be on a drive fast enough for video editing. Instead, it will be transferred to the local disk of your choice first.

Most of the remaining new features revolve around keeping format support as fresh as possible. With the increasing popularity of MKVs as the format of choice for Internet video sharing, this is a welcome addition, although we have to admit that not all MKVs are legal in provenance.

The improved importing is surpassed by the additional export formats. So all of the currently most popular ways to watch video are covered. Pinnacle is also claiming considerable performance improvements over the last version. However, this is still a bit app, when half the competition has now moved over to bit, notably Adobe Premiere Elements 10 and CyberLink PowerDirector.